Show: “The Good Person of Szechwan”
Company: COR Theatre
Venue: A Red Orchid Theatre
Die Roll: 4
Some plays reflect the time in which they are written. With translated plays, they will often reflect the original time and culture, as well as the culture of the translator and the time at which the work was translated. So, this version of “The Good Person of Szechwan” by Bertolt Brecht and translated by Tony Kushner is a work that crosses times and cultures to address the question of what is it that makes a person good.
Director Ernie Nolan takes the act of translation a step further and crosses gender lines in his casting. From the moment lights come up it is clear that this production is both a reflection of our world and a altered version of it. Wang the Waterseller (Dawn Bless) takes the stage to tell us what life is like in this part of Szechwan. Wang is a street savvy huckster with a good heart, but isn’t the titular good person. No, that’s Shen Te (Will Von Vogt), the town’s notorious lady of the evening. When three gods come to town, she is the only one to take them in and give them a place to stay.
If one watches this play looking for answers as to what makes a good person, the answers found aren’t easy. Is it what is in your heart that makes you a good person? Somewhat. Are your deeds what make you good? Somewhat. But, throughout the story, neither option is really the end-all/be-all.
What does become apparent is how someone who is trying to be good can easily be taken advantage of. When the gods give Shen Te some funding as compensation for their lodging, she is able to buy herself a business and also provide charity to those in need.
This production is a thinker and a feeler. Days later I am still pondering everything I saw, and in the moments of the show I was hit with waves of empathy for Shen Te’s plight, as well as anger toward those who would disabuse her and the a sense of victory when her plans went well. The lighting and soundscape were integral parts of an immersive experience that dragged me into the world of the show despite some very Brechtian moments that pointed out that I was watching a play. Kudos to Claire Chrzan and Matt Reich for their respective designs.
The show has a large supporting cast, and across the board they were stellar. Most played multiple roles and every one was well defined and contributed strongly to the overall picture created by the tale.
I was solidly impressed by this work. It is what theatre ought to be: a piece that calls upon us to look at ourselves and the world around us; a piece that challenges us to be better; a piece that looks at the very essence of what it would mean to be better, in the first place. Well done, COR Theatre.
TEN WORD SUMMARY: Beaten down by the world, the good can rise again.
DICE RATING: d20 – “One Of The Best”