Company: Babes With Blades Theatre Company
Venue: City Lit Theater (1020 W. Bryn Mawr Ave.)
Die Roll: 20
At the outset of Babes With Blades Theatre Company’s world premiere staging of Dustin Spence’s “The Promise of a Rose Garden”, a foursome of new recruits stand, ready to be tried by the military’s most notoriously difficult proving ground. Their commanding officers offer little solace, but assure, “The fact that you don’t have a dick between your legs makes you more aerodynamic.” With this, Babes With Blades offers up one of the most unique and thrilling productions I’ve seen in recent years.
In “The Promise of a Rose Garden”, Captain Josephine Rockford (Maureen Yasko) is training a squad of four officers on passing the notoriously brutal US Marine Infantry Officer course. It’s such an unforgiving course that only three women have ever passed it, Rockford herself, her commanding officer, Selmy (Kathrynne Wolf) and a third female officer, whose death casts a long shadow that still divides the two officers. The rookies, however, are indignant at any underestimating party who insinuates that they’d do anything less than pass the course with flying colors. Lieutenant “Sunny” Sharif (Arti Ishak) has defied her Muslim family’s wishes to be there, pragmatic Ruiz (Izis Mollinedo) is hoping to spin her success into a book deal, and whatever you do, don’t cross Nichols (Charlie Baker) a laid-back Southerner who will cold-cock you for looking the wrong way at her candy stash. Newest grunt Ferguson (Sam Long) may be the most gifted Marine among them, but must swear, spit and scrap for her honor from the bottom up.
What threatens this unit isn’t a distant enemy, but the very real haunt of disgrace. Unlike the men who try and fail this Infantry Officer course, or the men who rebound easily from mistakes made in uniform, these women face daunting, near insurmountable pressure. There is no room for error, but those that occur linger to haunt the next round of female recruits or stand to jeopardize their very inclusion. Reminders of Captain Rockford’s past failures are so potent to her, they appear as Deciding Angels (Catherine Dvorak and Aaron Wertheim) who taunt her from her bleak subconscious and threaten to expose her mania.
The cast is astoundingly sure-footed, brutish and graceful; take the Deciding Angels, played nimbly by Catherine Dvorak and Aaron Wertheim, who twist themselves into unsettling shapes that add to their nightmarish air. In amazingly rough-hewn turns, Sam Long, Izis Mollinedo and Charlie Baker breathe brute force and sweat into Ferguson, Ruiz and Nichols. The true stand outs of this production, however, are Arti Ishak as Lieutenant Sharif, who is so still and unfazed that her brief flashes of anger are potent and chilling, and Maureen Yasko as Captain Rockford. You can’t take your eyes away from Rockford as she descends into devastation; bounding nervously away from everyone who seeks to aid her, and recoiling at the deep wounds she inflicts.
The air is always alive and tense with radio chatter, bullets, Marine chants or the whispers of the Deciding Angels. Director Elyse Dawson and violence designer Rachel Flesher bring together an artful staging, cobbled from a bullet riddled blast zone, and paint stage images that are beautiful and ambiguous. It’s an incredible gift when you as an audience member are entrusted with puzzle pieces of a scene or a relationship unfolding in front of you, and all the more rewarding when those pieces begin to come together.
“Rose Garden” is visceral, hard-hitting, and it arrives on the Chicago theater scene like water to quench an unfortunate drought of substantive roles of women and actors of color. It’s an astoundingly timely choice, and as Elyse Dawson’s directing debut, it’s the knock out of the park that many directors work their entire careers to achieve.
TEN WORD SUMMARY: Female, armed and dangerous: Drop and give them 20, maggots.
DICE RATING: d20- “One of the Best”