“Neverland” at Prop Thtr reimagines the landscape of its fantasy world not as an eternal playland, but as an endless nightmare. Peter Pan and his crew of Lost kids are […]

Writing for one’s time is a risk in our current theatre model. The playwright runs into the danger of being too radical to be produced for sedate audiences, or too […]

The women of “Eclipsed” band together because they must. They are the “wives” of a commanding officer in a rebel camp during the Liberian civil war, and their survival depends […]

Grand Guignol is a tough style to pull off. Finding comedy in gore and gore in comedy takes a good sense of timing that applies to both laughs and chills. […]

Ernestine Crump’s family is in dire straits. She and her sister have lost their mother to illness, and their father to grief. He has moved the family from down South […]

Sharing stories is part of human nature. The act bonds people together, showing us how others’ experiences reflect and rhyme with our own. Stories tell us we are not alone. […]

Faith is an uncertain thing. It is meant to provide surety about all of life’s highs and lows, planting the faithful in a philosophy that demonstrates how belief outlasts turmoil […]

“Hamlet” is essentially a play about oppression. The prince of Denmark is kept from being king by a tyrannical leader, he is being spied upon at every turn, and he […]

In general, there is not much to celebrate about the French Revolution. The Reign of Terror claimed innocent lives, and the massacre that spread from Paris to the countryside is […]

“You don’t know what I’m thinking.” So says Hasan (Terence Sims) to Lloyd (Sam Hubbard), and the tense silence they share in the wake of these words defines “Damascus,” a […]