Review: “Bright Star” (BoHo Theatre)
Mere minutes into “Bright Star,” the audience is treated to the arrival home of a war veteran, the death of a beloved parent, and a journey to the big city […]
Sarah Bowden
Review: “The Total Bent” (Haven Theatre, with About Face Theatre)
You know what you’re getting into as soon as you sit down to watch “The Total Bent.” You see the full band warming up in a 1960’s-set recording studio and you vibrate […]
Bottom 5 of 2018 (Or, Here’s How We Can Do Better in the New Year)
2018 was a strong year for Chicago theatre, but there is always room for improvement. As our society struggles with issues of equity and supremacy, so too does our art. […]
Sarah’s Picks: Top 5 Shows of 2018
Reviewing theatre is a pleasure in a city where larger companies and smaller storefronts can explore a variety of perspectives in highly theatrical ways. Below are just a few of […]
Links to Reviews & Features (Sarah Bowden)
I am fortunate to write for the Windy City Times right alongside my fellow TBN writer Maggie Wagner, so I am providing my most recent reviews and features for that publication: An […]
Links To Reviews (Maggie Wagner)
The writers of Theatre By Numbers often review for other outlets, and we like to provide those links here, in case you’d like an even more diverse picture of the […]
Review: “Small Mouth Sounds” (A Red Orchid Theatre)
There is something unsettling about six people sitting in silence and staring out at the audience. It’s not a comforting opening stage image in A Red Orchid’s “Small Mouth Sounds.” […]
Review: “Neverland” (Prop Thtr)
“Neverland” at Prop Thtr reimagines the landscape of its fantasy world not as an eternal playland, but as an endless nightmare. Peter Pan and his crew of Lost kids are […]
Review: “Hooded, Or Being Black for Dummies” (First Floor Theater)
Writing for one’s time is a risk in our current theatre model. The playwright runs into the danger of being too radical to be produced for sedate audiences, or too […]
Review: “Eclipsed” (Pegasus Theatre Chicago)
The women of “Eclipsed” band together because they must. They are the “wives” of a commanding officer in a rebel camp during the Liberian civil war, and their survival depends […]