
Review: “The Great Leap” (Steppenwolf Theatre Company)
“The Great Leap” begins with a cool beam of light outlining a basketball court. It ends with a flash that implies destruction and sacrifice. To understand all the events that […]
“The Great Leap” begins with a cool beam of light outlining a basketball court. It ends with a flash that implies destruction and sacrifice. To understand all the events that […]
Even in the vastness of space, gender discrimination persists. Astronauts at the international space station recently had their first all-female space walk cancelled because the only available suits were sized […]
It’s a rare thing to find a musical that wrangles fun, simplicity and emotional depth from as much source material as Kokandy Productions’ “Head Over Heels” does. Authors Jeff Whitty […]
Chicago is a fantastic destination for musical development; in fact, whenever I’m not reviewing theatre, you’re likely to catch me at work in musical theatre workshops providing dramaturgical assistance. There’s […]
I am endlessly fascinating by the scripts produced at Jackalope Theatre Company. Attend any production created by this open-hearted, full-throated organization, and you are likely to appreciate the sharp, heady […]
Babes with Blades’ entirely female/ non-binary cast “Othello” is swift on its feet, quietly ferocious, and knits in a deeper examination of male privilege than any traditional production, just by […]
Christopher Durang has a lot to say about parent-child dynamics in Eclipse Theatre’s production of “Baby with the Bathwater.” Parents always mess up their kids, but it’s rare you will […]
The grind is a hard thing to dramatize. In most plays, we expect the characters’ circumstances, outlooks, or choices to change; that’s part of what makes narrative so satisfying. Stories […]
Disney’s The Magic Kingdom makes a perfect stand-in for the United States of America. Think about it. Happiness is its main goal, just as the pursuit of happiness is highlighted […]
“A sad tale’s best for winter,” one performer tells another at the start of Idle Muse’s adaptation of Shakespeare’s most improbable play, “The Winter’s Tale.” The above line is repeated […]